I'm very good at fudging. It's much easier to do that in crochet than in knitting but now someone is going to actually look and notice..... eek!
Sample 1 was horrid. A square made of chains and slip stitches, surely this should have been easy. I felt I should use cotton and had some Catona Schjeepes kicking around. I attempted this three times but struggled keeping the edges straight. I have sent it despite not being particularly happy in the hope that feedback will help me improve.
Yarn. Catona 100% Cotton
Hook 3mm
Well sample 2 had to be better surely. A square of double crochet with sides suitable for seaming. Sounds really easy but my edges curled really badly. The only advice I could find was crochet loosely and use a larger sized hook at the start. I did all of this but it still curled really badly. I kepy going and it did improve but it would still not lay flat.
I was unsure if I was allowed to block it so chose not to and placed a heavy basket on top and crossed my fingers. It did get better than the picture shows in the end but as you can see I was doing something wrong.
Hook. 6mm cast on . Main body 5mm.
The yarn worked up beautifully; no splitting and wonderful stitch definition. Unfortunately I'm sure this piece of work will not reach the required 80%.
I was more pleased with sample 3. A square of trebles. I had never turned my work different ways for different stitches though and am not sure if I am going through the turning chain correctly.
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I used a yarn called Raggi that I had bought at the yarn market in Istanbul last year. It had no weight on the label but suggested a 4.5 mm hook was used. I guessed it was an aran.
Yarn Raggi 70% wool 30% polyamide
Hook . Cast on 5mm. Main body 4.5mm
Sample 4 was a square of trebles between stitches. This was fine until it came to turning and I'm not sure if my count was correct. I used Raggi for this one too. The course asks you use complementary colours as all the work is displayed as one at the end. I've chosen Cressbrook Blues. I thought I could work around the blues in the river and mill race that surround my garden and the local beauty spot at Water-Cum-Jolly.
Yarn. Raggi 70% wool 30% polyamide
Hook Cast on 6mm. Main body 5mm
Sample 5. A square of double trebles.
This finally felt like tings were beginning to go better. However I'm sill unsure of the turning chain.
Yarn. Rico Creative Melange 53% virgin wool. 47% acrylic. DK
Hook. 4.5mm cast on. 4mm main body.
The yarn is quite fluffy but had nice drape. My square was rather large!
Sample 6 was very similar. A square of triple trebles. I used the same yarn and was pleased with the result.
Yarn. Rico Creative Melange 53% virgin wool. 47% acrylic. DK
Hook. 4.5mm cast on. Main body 4mm
I return to the cotton for my final sample. I thought the cotton would give the stitch more definition and strength as it was a quadruple treble. It took quite a long time to make this square. getting the tension right was a challenge and making sure the cotton did not split was tricky too.
So then finally they all got labelled up and packed into a large envelope. Fingers crossed I don't have to repeat them all.
Well as I've now sent these I decided to do something different until the work gets returned with feedback. I am having a go at the Pina Colada Shawl from the Scheepjes Yarn bookazine. This is the Tropical edition and is full of gorgeous makes in a variety of Scheepjes yarn. The Pina Colada shawl is made using Scheepjes Secret Garden. The yarn is a cotton, silk and polyester mix. It got a beautiful slub to it and therefore varies slightly in its thickness. It's super soft and very easy to work with. Mmmmmm....yummy!
The yarn fades into a variety of shades and this makes the crochet come alive; each stitch being slightly different from the last. The short rows had me flumuxed for a while but I think I've worked it out now. There are quite a few errors in the pattern so if you use it make sure you check the Scheepjes website for the corrections.







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